Tai nghe để nghe trọn vẹn · best with headphones — phim được vẽ trực tiếp trong trình duyệt, không phải tệp video.
Chương 26 · Chapter 26
Nỗi đau mất con
The pain of losing a child
Nguyên văn chương 26 hồi ký của ông Trần Văn Sơn. Bản tiếng Anh dịch sát bên dưới mỗi đoạn. The full chapter as he wrote it, with an English translation under each paragraph.
Only what the chapter says. The tree grows as new chapters arrive. Portraits are drawn from family photos where we have them; the rest are imagined.
Dòng thời gian · Timeline
1985 – 1987
From chapter 26
Hiện vật · Artifacts
Ảnh và giấy tờ thật
Real photographs and documents from the family — tap one to see it full size
These are the family's own photographs and papers, not illustrations. Location and camera data were removed before publishing.
Ký ức · Fragments
Những thứ nhỏ còn nhớ mãi
Small things never forgotten — tap one to see it in the film
Thực hiện · Making of
Cách bộ phim được làm
A film with no video file
This chapter’s film is a small JavaScript program, like the chapters before it. It is deliberately quiet: few sound effects, a slow pace, and the mother’s own words set by hand on paper. The two recorded tracks are the narration, in his own cloned voice for Vietnamese, and the score.
Câu chuyện · Story
Hồi ký Trần Văn Sơn, chương 26 “Nỗi đau mất con”
Kịch bản, dàn dựng, hoạt hình · Script, direction, animation
Claude (Anthropic), hand-coded canvas engine
Minh hoạ cắt dán · Collage illustration
Google Gemini 3 Pro Image, from family photos where we have them
Giọng kể · Narration
Tiếng Việt: giọng thật của ông, tái tạo bằng AI (F5-TTS) từ bản ghi âm ông đọc hồi ký · Vietnamese: his own voice, recreated with F5-TTS from a recording of him reading his memoir. English: Google Gemini 3.8 Flash TTS, voice “Algenib”.
Nhạc · Score
Google Lyria 3 Pro, two cues: đàn bầu, đàn tranh, felt piano, bamboo flute, strings
Âm thanh · Sound design
Synthesised live in the browser (WebAudio)
Bản dịch · Translation
Claude, kept close to his wording
This chapter tells of the death of the family’s first child. The film does not depict it; it shows only an altar, a candle and the mother’s poem. The poem lines on screen are quoted from the memoir. Illustrations are an artistic re-imagining; the couple are drawn from their wedding photo.